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The Value of Completing a Book... : Page 2 of 2

The Value of Completing a Book and Giving It to (Yourself and) the World

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The visual artist I used to be in my youth ~ picked up and deferred over the decades ~ whispered, "Start with an image." Especially since all the other residents in my studio community are visual artists, it was not difficult to be inspired in this way. Now I remembered the enlivening trip to the art store to match the shade of crimson/burgundy acrylic paint I had in mind for the background color of the website. I had commissioned an exquisite logo the year before, and it gave me a clue as to colors.

One memory opened up the next. A feature I had completely forgotten about came back to me, impressing me with my dedication to the artwork alone: all the research I had done on sacred architecture (the sinuous domes of mosques; stained-glass cathedral windows; patterned Persian rugs; colorful geometric tiles) in hopes of incorporating the flavor (or "fragrance") of such beautiful art into the images I would make. In my mind's remembering eye, I saw myself standing at my waist-high work table, a ruler and T-square in hand, making exacting measurements and hand-drawn grids (astonishing myself!) so that each image would have a harmonious sense of proportion and beauty.

Recalling a rose I had painted for the home-page art, for the first time in a long time I remembered the delight of buying a fresh pink rose from a florist, and taking it back to the studio to paint it. I remembered the sacred feeling of that rose, and of being with it completely in order to paint it. Drawing the petals circling round the center, then filling them in with dabs of pink, white, crimson, brown, staying with the process until it had depth and petal-ness, until I loved what I saw as much as I loved the live rose. Redoing the background was involved, then, and gluing the much-loved rose onto that background. Once I had something down that I loved, I was afraid to "mess with" the leaves on the rose's stem by painting them directly; so I made a stencil of leaf-shapes I liked so I could duplicate them; used the stencils to draw the leaves onto the background; and painted them two shades of green. It was around then that the making of the Sistine Chapel, a la the 1950s movie, "The Agony and the Ecstasy," began to have some personal reference for me ("When will it be done?" pleaded the Pope played by Rex Harrison; and a paint-smeared, wild-haired Michelangelo played by Charlton Heston shouted hoarsely, "When it is finished!").

More artwork followed. A petal from the live rose formed a template for a tracing on paper. I loved its shape, how it arched, shell-like at the top, with scalloped ridges at the bottom. Using the tracing, I cut out three identical petals and played with ways to fit them together pleasingly. Eventually, the three crimson petals superimposed on one another, outlined in metallic gold paint, and placed inside a decorative arch on a crimson background ended up being the central piece of  the "& Other Fragrant Offerings" page of the website . (However, at that point, I didn't know there would be such a page, or that the words "fragrant" and "offerings"would come into it) And now, I recalled the trek to a higher-quality photography store to scan in those illustrations I had already finished. I had to wait two hours on their schedule, and to keep putting money in the parking meter. But I didn't mind. This whole thing was starting to get exciting!

The text made its way into my awareness slowly, awkwardly ~ helped by the beautiful artwork and the total engagement I experienced in doing it. At first there were very trying, very uninspired drafts. The text shifted around many times before settling into a real existence. And now I remembered (but dimly, without the urgency of the actual experience) feelings of overwhelm and doubt. And the process of bringing myself back to the writing, even so. Bit by bit, the pieces began to come together. Once they were in place, they set a standard, a touchstone, by which to tune whatever would come next. Gradually, I let go of what I thought I "owed" my readers. If I couldn't relate to it, I let it go or sought a more intimate way to put it, sensing for what felt true and beautiful to me. This took months.

In a broader swath of memory, now, I remembered the swirl of details coming together: the naming of the pages ~ the writing and rewriting of the pages ~ the intimate creative act of it all. Each page was actually like a chapter in a book, standing on its own yet related to the other pages and the website as a whole. This continuity in design and intent was immensely pleasing to me. It was less an informational bulletin than a family of related aspects ~ something like a couture design line (!). The more I gave to it, the more invested I became; the more I invested, the more I gave to it. It was a beneficial cycle (if a demanding taskmaster, one I had imposed on myself); and I often felt connected to angelic states, as well as  to various biological, spiritual, and artistic ancestors, as I reached for what I felt expressed ideals and experiences I didn't know were available to me, and might serve us all.

And now it was done. There were ten pages (after the beautiful "Enter" page):  ten chapter-equivalents:

  1. Home
  2. "Books" (each with their subpages for individual books)
  3. "Other Fragrant Offerings"
  4. "The Story of Rose Press"
  5. "The Creative Process Behind Rose Press"
  6. "Books & Healing"
  7. "How to Use Rose Press Books"
  8. "Shopping Cart"
  9. "Rose Press Community" and
  10. "Contact Page." 

Every page had something beautiful and meaningful on it, and quotes from great mystics and artists graced many of the pages (even the Shopping Cart page had a quote). I had exceeded my own expectations, had succeeded in giving birth to something I would want to see and read again and again.

Completing this Website ~ Not So Different from Completing Writing a Book

I got out of the car, carrying my internal scrapbook with me. It felt rich to have honored the process in this reminiscence, now that I was at the end and able to look back and see where I had come from. If this was what it was like to complete a large work, then it was worth it! What new opportunities and joys lay around the bend? What fruits would come from this flowering?

In this new year (the Jewish New Year having just begun ~ 5771), may you look forward to beginning, continuing, or completing a great work. Perhaps it will be the book of your heart. If so, I would be delighted to help you with it. For not only the result, but also the process of discovering (or deepening) your own artistry, is what will be your work and your gift and your reward. •

Copyright © 2010 by Naomi Rose. All Rights reserved.

Naomi RoseNaomi Rose, Book Developer and Writing Coach, has successfully used her "Writing from the Deeper Self" approach to help people with an inner-directed focus write the books of their hearts. More »