Elizabeth Berrien's Wire Sculpture Lessons:
•
How to Make Wire
Sculpture Part 1 | Part
2
• Teaching
Wire Sculpture to Kids Part 1 | Part
2
• Wire
Sculpture FAQ
• Metal Sculpture Art Books
Part 1: Teaching Innovative Wire Sculpture: Grades 2 to 12
By Elizabeth Berrien
Welcome to the Innovative Wire Sculpture movement! Innovative wire sculptors
invent their own new forms of wire sculpture as they explore. They take
pride in being different and creating something totally new.
I learned the process of innovation in 1968, from the late Kenneth G. Curran.
He got me started; I have been my own teacher ever since. Using Mr. Curran's
method, I invented my own innovative form of wire sculpture. As a pioneer in
the field, I raised my innovative wire sculpture to museum quality standards.
In 2004 I founded the worldwide guild, Wire Sculpture International, and received
the prestigious Victor Jacoby Award for Innovation in Art.
For many years I have taught the basics of Innovative Wire Sculpture grade
school and college students, teachers and professors. In this lesson plan I
will share what I have learned from Kenneth Curran so you can teach Innovative
Wire Sculpture, too.
This lesson plan is intended for students in grades 2 – 12.
Wire Art vs. Wire Sculpture The term "wire art" makes me twinge. Granted, working with wire is
an art. But the term feels dumbed down. Perhaps some teachers don't think younger
students can handle the word "sculpture"? Hogwash! If you've been
calling it "wire art", please respect the medium and start addressing
it by its proper name, "wire sculpture".
To re-educate the neurons as to proper terminology, your students' first project
can be to create the words WIRE SCULPTURE in wire. Assign each student to create
one or more letter of the words WIRE SCULPTURE. Staple or tape the finished
letters onto a backing to form the words. Post this noble first creation for
the students to see as they work on other wire projects, and they're on their
way!
Materials

Paddle Wire |
With apologies to chain art stores that sell a wide array of fancy pliers
and wires, I must speak heresy: Most of what I've seen for wire art supplies
appears
grossly over-priced and over-packaged. Be especially suspicious of anything
sold as Sculpture Wire, usually packaged in shockingly small quantity at
several times its bulk cost.
All you need to make a wire sculpture is a pair of
wire cutters and your own two hands! Many serious wire sculptors feel wire
sculpture is preferable to the term wire art, much more descriptive of the
3D process.
HOT TIP: Phone company often donates colorful phone wire for class projects!
Folks, ALL Wire is Sculpture Wire! The best and cheapest wire in the chain
art stores is over in the floral department, sold as florist wire or
paddle wire. Your materials budget will go quite a bit further if you make
your
first selections at the hardware store. For just a few dollars, you can
get a voluptuous
roll of dark annealed "tie wire" aka baling wire or bailing wire.
It's nice and cheap, but may leave a smudgy layer of machine oil on the hands.
It also comes in a silvery, galvanized version, much easier to clean up. Don't
fret if you can't find exactly the color of wire you're looking for — wire
sculpture projects can be painted different colors when they're finished.
Ask the hardware guys and gals to show you the rack of wire assortments in
the picture wire section. You'll find more of the dark annealed and galvanized
wire, plus copper, brass, and aluminum. Look around a little more, and you'll
find wire clothesline coated in colored plastic. Craft supply stores have beading
wire in lots of shiny colors. Store-bought electrical wire is expensive, sold
by the foot. By exploring salvage yards and recycle centers, you stretch your
materials budget and teach your students the value of recycling.
For cross-over educating, students in grades 5-12 can compare the costs per
foot of different kinds of wire, depending on the manufacturer and type of
packaging. You may also point out that some of the most expensive "sculpture
wire" comes in ridiculously small amounts with excessive amounts of non-recyclable
packaging.
Tools
Wire cutters of a size to fit the hand comfortably. That's all, folks! I
used a pair of Sears Craftsman $10.00 wire cutters to make most of the
sculptures on my www.wirelady.com web site. Sure, every year or so I break
a pair...
and
Sears replaces them for free, earning my sincere endorsement!
For wire sculpture workshops and classes, I set out one or two pairs of wire
cutters per table of students. Cutting wire is not a major part of the process,
and it's always good to encourage sharing.
As for pliers, skip 'em, they're just a crutch. I prefer not to use pliers
at all; they just get in the way. My own two hands are the only shaping tools
for every sculpture in my wirelady web site. The only use I have for pliers
is to grab those wire bits that are too short to handle with my fingers alone.
Your students will develop their own unique style faster if they don't use
any pliers at all. No fancy store-bought jigs, either — the kids' nimble fingers
can do the shaping, and they will gain a strong sense of pride and empowerment
from seeing what they make without fancy equipment.
Safety
The One Wire Sculpture Rule Written in Stone — DON'T PUT YOUR
EYE OUT!
Safety glasses are a good idea, but they're not 100% effective. A long, loose
end of rogue wire can still whip around and through the ventilation holes
in the side of the glasses. This is why I recommend students work with
foot-long, pipe-cleaner lengths of wire.
So cut it small, about 12-inch lengths — or start with pipe cleaners.
THIS IS A SAFETY MEASURE. I worry about the long length of those store-boughten "twisties" —
an impulsive or excited kid whipping on of those around might accidentally
put out someone's eye. Especially at the beginning, students working with wire
should be supervised closely to ensure that they handle it safely and with
respect. Any student that waves a wire about should be gently shown the correct
way to control it.
Once students develop a reliable proximity sense and control of the wire,
you may consider gradually increasing the lengths they work with. But be careful
out there... even after decades working wire, I still have occasional scary
scrapes and pokes with overly excessive lengths of wire.
Long-term wire sculptors sometimes experience carpal tunnel inflammations
from repeatedly handling wire in the same motion. If one of your students gets
totally immersed in wire sculpture, be sure they and their parents are aware
of carpal tunnel issues. If your wire sculpture class lasts longer than an
hour, have the kids take breaks to massage and stretch their hands, wiggle
their fingers, or do other hand exercises to keep their carpals healthy.
Continue Lesson Plan
(page 2)
About the Author | More by Elizabeth Berrien
Elizabeth Berrien is the founder of the international Guild of wire sculptors. Her Web site, Wire Lady shows world class wire sculpture, and having over 37 years experience in wire sculpture, Elizabeth enjoys teaching others the art of making their own innovative wire sculptures. Text and images used from www.wirelady.com are copyright © Elizabeth Berrien and are used with permission. Learn more about Elizabeth and her amazingwire sculptures at www.wirelady.com.
09/16/05
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