KMCC : The Story with the Creative Tattoo
Kaizen-Muse Creativity Coaching Stories The Story with the Creative TattooA New Kaizen-Muse Creativity Coaching Series: Story One.By Jill Badonsky Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. There are Muses everywhere. In the characters we love in books, in movies; real people in the news, in magazines, and right next door. These Muses inspire us when we pay attention to their stories and with this inspiration we can learn to stir our own magnificence. This is a new Creativity-Portal series that will expose you to stories filled with the inspiration of everyday Muses. In Kaizen-Muse Creativity Coaching™ we believe that stories bring concepts alive. Lists of how-to’s, theory, and advice only go so far in motivating our understanding about the creative process; eyes glaze over with concept-overload, and how-to lists add to overwhelm. But in stories, ahhh, that’s where we see how creative techniques are lived in real life. We see and understand the creative success of actions inspired by grace, ingenuity and courage. So for the next several months, The Nine Modern Day Muses — the committee of creative principles in the guise of Muses that is the “Muse” in “Kaizen-Muse Creativity Coaching,” will inspire you with story. Noomi RapaceThe first story comes from Noomi Rapace, the actress who played Lisbeth Salander in Stieg Larsson's Millennium Trilogy which begins with The Girl with the Dragon Tattoo. The world was mesmerized by this character who never saw herself as a victim despite experiencing one horrible thing after another. She somehow makes possible everything she needs and wants despite constant blockades, being framed and being left for dead. “She never gives up and I think that’s beauty for me,” says Noomi Rapace. In the story, Lisbeth manages to turn her anger into strength. She’s her own person and refuses to play the rules the way others do; a liberating notion especially for the creativity seeker. She desperately wants to live and be free.
Noomi discusses what she did for the audition. Thinking she would not get the part, she said, “I thought they would judge me for being too feminine, too girly.” So she told herself, “I’m not going to do an audition, I’m going to begin as if I already have the part.” In other words, she began the work of being Lisbeth when she showed up for the audition. “I don’t like auditions, my way is to start the work today.” So she borrowed clothes from her husband, she practiced the stunts, got piercings, took motorcycle lessons and transformed her body into one that would be closer to Lisbeth. In Kaizen-Muse Creativity Coaching Terms
In Your Life
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